‘Wicked’ Stephen Schwartz Performs ‘No Place Like Home’ and ‘The Girl in the Bubble’

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‘Wicked’ Stephen Schwartz Performs ‘No Place Like Home’ and ‘The Girl in the Bubble’


It was a packed weekend main as much as Sunday’s Golden Globes ceremony, and among the occasions kicking off Saturday morning was A Celebration with Stephen Schwartz.

Schwartz, who has spent the last twenty years with “Wicked,” as the present’s composer and lyricist, was in city to deal with a choose crowd of about 70 people — which included Jimmy Jam, Siedah Garrett and “Wicked” producer Marc Platt — to a best hits live performance at Steinway Piano in Beverly Hills.

The performance featured renditions of his two Oscar-shortlisted authentic songs, “The Girl in the Bubble” carried out by Ariana Grande, and “No Place Like Home” carried out by Cynthia Erivo. Emceeing the event was “Wicked: For Good” director Jon M. Chu.

He kicked off with a rendition of “Colors of the Wind” from Disney’s “Pocahontas” before performing “When You Believe,” the Oscar successful authentic tune carried out by Whitney Houston and Mariah Carey.

Chu got here on stage to debate the songwriting course of behind “No Place Like Home,” a tune that Elphaba sings early in the film. It comes as the animals of Oz are leaving and going underground attributable to the Wizard’s rising energy. Elphaba also has to return to phrases with the sacrifice she is making by leaving Oz without end.

While Schwartz explained the tune’s themes — addressing belonging and the that means of house — he famous the way it appeared to mirror the current political divisions in today’s America.

Schwartz told Chu, “Elphaba makes this enormous sacrifice, and she has to leave Oz forever. She has to be thought of forever as the villain who was conquered, who was ousted. In order to save Oz itself, she has to essentially sacrifice herself.”

The artistic liberty of creating two motion pictures was with the ability to explore the true price of sacrifice – one thing they might only suggest in the Broadway present. “We thought it was important that there be a moment where we see how much she loves her home, how much she loves Oz, even though it hasn’t been a particularly kind or welcoming place to her.” Discussions with the artistic team led to the concept of exhibiting how oppressed the animals had been. Schwartz explained, “Many of them are feeling they have to escape. Elphaba tries to persuade them not to, and stay and fight for their home. And one of them says to her, ‘Why are you doing this? Nobody here is going to be happy until you’re dead. Why do you want to stay?’”

This second forces Elphaba to reckon together with her determination, in the end selecting to remain and fight for her homeland.

The tune was written a few years in the past, however even then, political division may very well be felt. “Are we going to be turned against one another, so that there’s always this huge divide, and Americans are hating their fellow Americans because of their ideologies, what is our responsibility to that?” He went on to say, “It’s a lot safer to just keep your head down, go about your life. Don’t do anything, don’t say anything. Maybe it’s the smarter choice, but for Elphaba, that’s not a choice she can make.”

In writing the lyrics, he famous “No Place Like Home” was the apparent title, it was important for him to seize the philosophical concept of the accountability in saving your own home. It also mirrored Elphaba’s battle as she tries to grasp why she even cares in any respect when she’s hated.

Schwartz additional revealed that Marc Platt, who produced each movies and the Broadway musical shared that Oz was not just a spot, “It’s an idea. It’s a promise. And that found its way into the song. I feel that’s what America is too. America is not just a place, it is an idea.”

The composer went on to discussing the course of behind “The Girl in a Bubble,” which he described as a metaphor for Grande’s character. Schwartz called it the second the place “Glinda gets real.” He went on to say, “She drops all the artifice that she has carried as a character, both as the popular girl, and then also as Glinda the Good who floats around in this bubble and sings to people in soprano.”

In the movie, Glinda sees her reflection in mirrors and bubbles. Schwartz explained, “When you’re watching it, you keep getting fooled. You think you’re looking at Glinda, and then you realize you’re just seeing a reflection of Glinda.”

As the performance got here to an in depth, Chu knocked on the Steinway piano, and said, “This machine kills facists,” which led to large applause.

Watch the performance below.





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